In late 1991 or early 1992, I took training to be part of the speakers’ bureau for the Lesbian-Gay Male Program Office, now called the Spectrum Center, at the University of Michigan.
It was a rigorous weekend of sharing and self-reflection conducted by Billie Edwards and Jim Toy. The final project for the half dozen or so of us in attendance was to draft, refine, and practice our Coming Out Story, a narrative of how we came to see ourselves as gay or lesbian (bi and trans experiences were not yet fully on the radar). The stories we crafted would serve as the bases for visiting classes. In the early 1990s, in many instances, we remained novelties for straight people.
Continue reading “My Coming Out Story”
For historians of the LGBTQ past, having access to a personal diary is akin to striking gold.
The surviving diaries of Charles Tomlinson Griffes add enriching detail to Gay New York by George Chauncey. Diaries of Anne Lister and Mary Benson were invaluable sources for Intimate Friends by Martha Vicinus. The extensive diary of Carter Bealer proved indispensable to understanding the early gay geography of Washington, DC in A Queer Capital by Genny Beemyn.
Continue reading “LGBTQ Diaries”
In 1990, two years after the first National Coming Out Day, I came out for the first time in print. I was terrified.
The venue was a small publication called briX, published by the Greater Flint Arts Council. As “a collection of art and ideas,” briX included poetry, short fiction, essays, and the brilliant one-panel cartoons of local artist Patrick Hardin.
Continue reading “Censored Art, Censored Lives”
October 11th marks the 30th anniversary of National Coming Out Day.
That first NCOD in 1988 is seared in my memory because Charlotte, Ginny, Rob, and I painted The Block in Flint with a giant pink triangle in a bit of small-scale renegade activism. My 24-year-old gay self felt like I was doing something to fight hometown homophobia.
Continue reading “Bring Out Your Dead”
My 17-year quest to find Jerri Daye reached its fruition on February 16, 2012.
Such build-up and anticipation often end in a stinging disappointment. As a child of the original Star Wars, I still feel the let-down at The Phantom Menace and Jar Jar Binks—with apologies to Jar Jar Binks fans.
Meeting James Pascoe, a.k.a. Jerri Daye, was anything but disappointing.
Continue reading “Finding Jerri Daye (2 of 2)”
My 17-year quest to find Jerri Daye began in May 1995, when I interviewed Betty Leonard, manager of the State Bar in Flint from 1958 to 1985. Betty was showing me her photo albums, including one fabulous Polaroid of two female impersonators flanking bar owner Melva Earhart.
One of the impersonators looked spot-on like Kim Novak in Vertigo.
Did I mention the photo was fabulous?
Continue reading “Finding Jerri Daye (1 of 2)”
Lesbian, gay, bisexual, transgender, and queer elders convey truths that letters (typed and handwritten) cannot, that yellowing news clippings cannot, that fading photographs cannot.
When LGBTQ elders share stories from their lives, their eyes flash with emotion. Their faces show the idiosyncrasies of personality. Their voices sometimes express joy, sometimes pain, sometimes anger, and, yes, sometimes sexual nostalgia.
Continue reading “Before a Live Audience”